Congratulations on winning the 2015 Aurealis Award for both Best Fantasy and Best Horror novel! https://aurealisawards.org/
Thanks! I was completely surprised, and delighted.
It’s about Mark – a Day Boy who works for a Vampire, running chores, protecting his master during the day. It’s his last year as a Day Boy and he must decide how he is going to enter adulthood as man or monster or something not quite either. And, things don’t go smoothly at all. I kind of pitched it as To Kill a Mockingbird meets Dracula – which is a bit cheeky, but kind of the mood that the book went along. My mum didn’t like it because it was too violent – and she’s read all my stuff. I’ve promised her the next book is very different – but you never know with books.
Can you pin-point an initial inspiration for the book?
A very strong image I had of two boys smoking in a crypt flicking cigarettes at a coffin. I knew at once that they worked for vampires, but I wanted to know what they were like, how they had gotten so comfortable, even brazen, in their job. Everything sprang from that.
What are you working on at the moment?
A novel called the Stone Road. I’m just picking through a messy first draft and trying to work out what it’s about – which I think I know, now, but we’ll see. There are many drafts ahead.
You’re clearly a fan of Lovecraft and also devoted to Brisbane where you now live. Brisbane is nothing like the gloomy windy shores of New England. Is Brisbane a gothic place in your mind? What makes it so?
Funnily enough I’m not that into Lovecraft other than the cosmic horror, though I tend to play around with it a lot less seriously in my work. But I adore Brisbane. It is not a gothic place in my mind at all, in some ways, like most cities, I guess, it’s a blank slate. But that’s just an invitation to artists. Brisbane is a place that drives some great fantasy writing. You’ll be seeing new fantasy and horror novels set in Brisbane by Angela Slatter and Gary Kemble in the next twelve months or so, and that excites me. I think it’s a city worth writing about, and you know, what makes a city great comes down to the community that lives in it, and the stories they tell. The more stories and art we have the richer the place we live in. Brisbane sings with stories, and I’m proud to be a part of that.
What’s your writing process for books? Do you throw a lot away? Do you write every day? Are you a planner or do you fly by the seat of the pants?
I am slow and non-linear. And I slap scenes together and see how they work. I write thin – my early drafts are whisps – and then too thick, and then have to thin again. I don’t plan, but I do a lot of rewriting, structural and line-by-line – I don’t know if you’ve noticed here, but my punctuation is awful! I try and write every day, even if it’s only a few words. I don’t tend to do marathon sessions until I am editing and deadlines come into play. Otherwise it’s just chip, chip, chip and see what you end up with.
How do you go with social media? What do you do to increase interest in your work and how much time do you spend on it? Any tips?
I have gotten worse at this over the years. I’m a bit weary of social media as a platform, or maybe just weary of the sound of my voice. As a place to have fun it’s great, but as a selling tool for me, I’m not so sure. I don’t spend nearly enough time on increasing interest in my work. But I am always open to anything interesting when it comes along, promotion wise. What I do do, I try and have fun with. If you’re going to promote you need to be creative, honest, and have fun. Writing books is the thing that interests me, and reading. Everything else is just waving flags (unless, you’re great at it, and there are some really wonderful self promoters out there) and hoping someone notices.
What 3 artworks (books, music, visual arts, films) have most inspired you?
I am terrible at narrowing things down to favourites. They always change, because I keep reading and listening, and you forget your favourites (well, I do, anyway), and then you encounter the work again and you remember that, yes, you listened to that album non-stop for a year. But there is a constant churn of inspiration. Currently it’s Ursula K. Le Guin’s Tombs of Atuan, N.K. Jemisin’s book The Fifth Season (which I am reading at the moment), and Cormac McCarthy’s Blood Meridian.
All of which are feeding into the new book whether I want them to or not.
Trent can be contacted at teacupthrenody at hotmail dot com