Woo Hoo! I’ve sold a book.

photo by Trudi Canavan

PRESS RELEASE – WORLD ENGLISH LANGUAGE RIGHTS DEAL FOR FANTASY NOVEL BY AUSTRALIAN AUTHOR JANE ROUTLEY

Kate Coe at Solaris Books has acquired World English Language rights to Shadow in the Empire of Light, a fantasy novel by award-winning Australian author Jane Routley. The agent was John Jarrold.

Jane Routley has won the Aurealis Award for Best Fantasy Novel twice – for Aramaya and Fire Angels. Her story “To Avalon” was nominated for a both an Aurealis and Ditmar Award.

Shine is an orphan without magical gifts in a family of powerful mages, and is stuck managing the family estates with only an eccentric aunt and a telepathic cat for company. But when the family descend on the house for the annual Fertility Festival, Shine is plunged into intrigue; while helping one cousin to find a compromising letter, rescuing another from an unwelcome alliance and hiding a fugitive, she also discovers a smuggling ring and then stumbles upon a murderous plot to depose the current Family Matriarch, and is forced to run for her life. Kate Coe describes the book as “modern Jane Austen with magic”.

John Jarrold said: “I love the protagonist, Shine, a 23-year-old who I think will entrance readers of recent fantasy by authors like Alison Goodman and Victoria Aveyard. There’s an assured lightness of touch here (and some great humour over the openness of the magic wielders’ dealings involving sex) but also some welcome darkness. The larger story is only starting to unfold as this book ends, and we’re talking to Solaris about that too.”

Contact Kate Coe or John Jarrold for further information:

Kate Coe – e-mail: Kate.Coe@Rebellion.co.uk

John Jarrold – e-mail: j.jarrold@btinternet.com phone: 01797 227426

24th June 2019

On Delicate Matters of Etiquette

Finest Jamestown Butt Bucket

Outside the station door I have an ice cream container full of sand for people to put cigarette butts in. It cuts down on the mess smokers make. Lately the butts have been disappearing and I’ve naively been assuming the cleaner is emptying them out. So I am terribly embarrassed to walk out of the station and discover a neatly dressed woman my age, crouched over the butt bucket collecting the butts. I cry “opps” as if I’ve interrupted someone doing something shameful, which to my mind I have. But of course that makes it worse because now she knows I’ve noticed. I feel I have created a difficult social situation.
But the lady isn’t ashamed. She’s about my age and looks like a librarian. Glasses and middle class teeth. Assertively she asks me whose bucket it is and if I could put more sand in so that the cigarettes don’t burn down so much. She even asks me if I will collect them in a little bag for her. This latter is bridge too far ever for a chronic people-pleaser like me. I say no I wouldn’t be comfortable with that. Then we have a little chat about holidays, because she is apparently saving for one. Hence the need to save on smoking.
I presume she will take the butts home and either smoke them or unwrap them and make roll ups out of the left over tobacco. Gah!
I’m startled that someone so middle class looking is collecting butts like this which makes me wonder about; (1) my own socio-economic pre-conceptions and (2) more interestingly what sort of life has brought this woman to doing something usually only the homeless do? Divorce, addiction, mental illness, plain bad luck? Homelessness? Its closer to us all than we think. Station life is full of interesting mysteries and wondering about them keeps me going during the quiet shifts.

73 and has 5 children by 4 different women

One of my regulars, a flamboyantly dressed gentleman with a rather camp voice tells me he is “73 and has 5 children by 4 different women – and ten grandchildren.”

He’s in the construction industry, but would rather be a singer and sometimes does perform in clubs.  He has a lot of blingy jewelry, a big watch (sadly wasted on me as I have no ability to judge what’s real and what’s costume with jewelry) and an obsession with staying young, He dies his hair “and I’ve spent 10,000 dollars on this nose and I’m thinking of going back and having these re-done.” He rubs the spot on his temples where laughter lines normally grow.  His are oddly smooth and shiny.  I tell him he looks fine.

“Aren’t you lovely,” he says. He’s a sweet guy.

He’s not so open with everyone.  I caught him talking to a younger, prettier woman the other day.

“Yes I’m 73 and have ten grandchildren.  You wouldn’t know, would you?  Nobody thinks I look 73.  I eat a lot of vegetables.  I swear by them.”

Clearly he doesn’t tell everyone his secrets. Probably he doesn’t think me worth impressing.  But I can live with that.

Customers

M.C. Escher
Horses and birds

Around mid-afternoon the cleaning and catering staff from the hospital come in. I avoid one older woman with badly dyed red hair and a long Australian face, because, as she plods up the ramp like an old horse, all she does is moan at the lateness of trains and how that terrible hill up to the station will be the end of her after a long shift. You cannot get a smile from her. She’s a glass completely empty kind of person.
The small group of Nepalese staff are more like a flock of noisy sparrows, no doubt bonded by their shared experiences of displacement, They’re puffed out by the hill but happy to chat and joke about late trains. Lately I’m delighted to see they have taken the Australian woman under their wing. They gather round her laughing, dragging and chivying her along, all puffing up the hill together to make the train. She smiles more these days.

OMG. I’ve just written a parable about the virtues of immigration. All taken from life, I assure you.

Markets

 

Railway stations are also market places. I’ve seen people selling bikes and I’m pretty certain a lot of drugs change hands.
But this is unexpected – the alleged sale of a sugar glider, seen in the hands of the middle woman, for 1 thousand dollars in the waiting room at North Melbourne station.
Deeply illegal and bad for the environment. ( not so great for the sugar glider either.)
Station staff noticed and reported it to the police, but I don’t know the outcome.

Here is the article from The Flinders News

CCTV footage of the sale of a sugar glider From The Flinders News

Three women are being sought over the alleged trade of a live Sugar Glider at a Melbourne train station.

Police have released CCTV images of three women after the alleged possession and trade of the native animal at North Melbourne station on February 12, about 1pm.

The first woman is described as Caucasian, in her 50s, with blonde bob-length hair and wearing a black cardigan, blue shirt and grey pants.

The second woman is perceived to be Asian, in her 30s, with black hair in a high ponytail. She was wearing a grey cardigan and black-and-white printed dress.

The third woman is described as Caucasian, in her 20s, wearing a grey hoodie covering her face and red spotted pyjama pants.

The Victorian Department of Environment says it has intercepted hundreds of native species being illegally trafficked in recent months.

“We continue to pursue offenders in a bid to stop these cruel, illegal practices. Help us put an end to wildlife being trafficked, traded, and traumatised.”

Campbell Arcade Art Show

The Campbell Arcade, the strange but beautiful little pink tiled throat that links the Desgraves Street entrance to Flinders Street Station, is likely to be modified to make way from the Metro Tunnel though its not clear how much.  Will it remain a refuge for arty types when it is turned into a tunnel linking to the new town hall station or will it be freshened and modernized out of existence?

Till then the Vitrines will continue displaying art.  I really enjoyed Heroines in Petticoats, one of the best displays I’ve seen for a while.

Check it out.

Here is a review by Melbourne Art Critic Mark Holsworth

Heroines Petticoats @ Dirty Dozen

A dozen surreal installations tell a history of Australian women. “Heroines in Petticoats” by Kelly Sullivan, Kirsti Lenthall (Empire of Stuff), Gigi Gordes and Liz Sonntag (Tinky) is an engaging and accessible exhibition that has a coherent and relevant theme.

The height and depth of the dozen vitrines in the pink tiled Campbell Arcade, the Degraves Street underpass to Flinders Street Station has been used to great effect. Too often the Dirty Dozen has been occupied by art students who have alienated the general public, forgetting or ignoring that this space is very public at Melbourne’s central metropolitan railway station. There were several people paying close attention to it when I saw it around midday on Thursday.

The vitrines create a timeline of the lives of Australian women from the colonial era to the present. The heroines of this timeline are not specific women, heroines to represent an era but women in a general non-specific way. This absence of specificity meant that the artists tended to represent white suburban women.

As well as, the timeline there were specific causes associated with specific eras from the anti-conscription movement of the 1910s to the domestic murder rate of today. There was no mention of the temperance movement, as it was a women powered movement, but it is not longer seen as righteous.

Although each of the cases is labelled as the work of specific artists there is a coherent look to the whole exhibition. There are differences Kelly Sullivan’s collage, Kirsti Lenthall’s ceramic decals on plates and impressively on quartz rocks, or Gigi Gordes’s disembodied body parts; hands typing, the eyes on the glasses, mouth on the mug, mouth on the phone (I don’t know why the objects are covered in crochet) and, a few cabinets later, the hands on a glass of wine.

It was Tinky’s work that drew my attention to the exhibition as I know Gigi and Tinky’s art from the street. However, Tinky’s puns were the weakest elements of the exhibition. Written on paper and the little titles didn’t match the style of the rest. Unfortunately her puns give meaning to her tableaus and without them they would just be some odd HO scale model train figures.

About Mark Holsworth

Writer, independent researcher and artist, Mark Holsworth is the author of the book Sculptures of Melbourne.

Wow!

Sandy and a seriously thrilled Jane

Here is the wonderful Sandy from Geelong, costumier extraordinaire, dressed up as Yanimina Tari, The War Raven, one of the main characters in The Three Sisters and The Melded Child. How cool is that! You know you must be doing something right when someone cosplays one of your characters at Supanova.
Thank you so much Sandy. You made my week.
I’d love to acquire the costume when you’re finished with it.

 

On men at work

On Men at Work

It’s late one Sunday night.  Workmen are replacing the wooden sleepers with concrete ones on the tracks at the Junction.  Since the trains cannot run, I’ve been rostered on to put people onto buses. An Eminem concert, a Japanese festival and the Caravan and Camping show have combined to make the day very busy.

But later as the night comes down and the lights turn everything softly golden and shadowy, the crowds clear and there is time to stop and watch the men working.

The sight has a strange beauty. Machines advance and retreat, lifting rails or dropping or tamping ballast and their human attendants follow them with the elegant precision of a dance number.  There are no whistles or yells, not even much talk, just the love roar of machinery and the rhythmic clanking of steel on stone.  The men have done this a thousand times all over the system and everyone knows his job.  One gang waits at ease while another moves in step tightening rivets with sledge hammers and special hooks.  Here and there small groups huddle secretively over wielding rigs.  Watching these big beefy guys falling in behind the huge machines reminds me of watching the infantry fall in behind the tanks in old war movies or the Guild of Navigators in David movie of Dune.

By the time morning comes it will as if no one has been there except that the wooden sleepers have now turned as if by magic to concrete.    And very probably none of the day commuters will even notice they’ve been there.

 

10.55 to the Junction

 

After two decades of wishing I could swim in the sea more often and 10 years of working out of the Junction, I finally clued to the fact that there’s a beach 20 minutes train ride from there.  Doh!

An organizational task which seemed at first overwhelming, checking train-time tables, packing uniform and bathers and towels, proved on closer inspection to be perfectly doable.

All my life I’ve assumed a visit to the beach must begin with a hot hour (s) long drive to the beach, a heavy hike across dunes from the car park and a day spent rubbing sandy sun screen into boiling skin in the inadequate shade of an unstable umbrella.

But all through this long hot summer, I’ve taken the 8.47 to BeachTown and spent an hour bobbing round in the crystal green ocean, peering at fish and sea lettuce through my goggles and getting well and truly chilled to the bone.  Sometimes a friend comes too so much talking gets done.

A quick rinse off and maybe a muffin and a cuppa at the kiosk and its back on the 10.55 to the Junction in time for work. A low carbon treat that has the added pleasure of sounding like I’m in a novel by Agatha Christie, Conan Doyle or Enid Blyton.  (hopefully without the murder)